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Separation between couples is often misunderstood due to the lack of guidelines and the ease with which it can be carried out.It's fraught with many pitfalls if certain clear objectives aren't laid down or ultimately met.Git centers around a film director who, in the middle of starting his next screenplay, remembers a promise he'd made ten years earlier.While staying on a remote southern island off Jeju-do, he and his girlfriend of the time agreed to come back and meet at the same motel exactly ten years in the future.If it's treated as a continuation of the relationship, or as a time for both parties to act like single people, not much can be achieved from that.
However, couples often get distracted and confused, and lose sight of their goal. Once separated, some people will see the break as a license to look and opportunity for them to start new relationships, which then complicate the situation and make finding a solution to the marital problems much harder.Although the general path followed by the plot is pretty straightforward, Song leads us down many odd and fascinating detours.There is So-yeon's uncle, a middle-aged man with bleached blonde hair who hasn't spoken since his wife abandoned him.One is that such a low-budget film looks so good visually.In Flower Island, Song showed an unusual talent for the aesthetics of digital cinema, but here he takes it one step further.
This may have been what happened with Git by Song Il-gon, the director of Flower Island (2001), Spider Forest (2004), and various award-winning short films including The Picnic (1999).